After a conversation w/P this morning, the proposition that “I am not a filmmaker” seems even more attractive. The beauty part of choosing video over film is that it works nicely if what you want to do is not spend 99% of your time worrying about how pretty it is, a hole with no bottom if there ever was one. I’m capable of better things. OTOH, the craft element of the craft is making itself manifest to me, and although I may know more than enough about, e.g., editing as it is, I feel strongly that if I continue to learn about it, it will broaden my creative palate. It isn’t so much that I’m going for a “happy medium” here, it’s that my initial impulse to say “Screw the film schoolers, I only care if it’s legible,” has been overridden by the fact that I actually know something about the subject now and want to delay making any pronouncements about the subject, or maybe even defining the subject, until I’ve learned more. So as pathetic as it would be to turn into just another “pretty picture person,” to be informed only by that narrative and no others, it is perhaps a naïve analysis to conclude that “therefore” I am going to have a totally nuts-and-bolts approach to the matter. I think that there are considerations that are present beyond and despite the film nerds’ approach to the matter, a multitude of perspectives on this very promising medium, and I don’t want to make the mistake they have made of boiling it down to the point that no really good corn can grow given what is left. I am informed in my film and video pursuits by a number of valid and rewarding narratives, and to pick one as supreme would be a loss of potential not so much in myself but, worse yet, in what I could create.
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